"In Maurilia, the traveler is invited to visit
the city and, at the same time, to examine some old postcards that show it as
it used to be: the same identical square with a hen in the place of the bus
station, a bandstand in the place of the overpass, two young ladies with white
parasols in the place of the munitions factory. If the traveler does not
wish to disappoint the inhabitants, he must praise the postcard city and prefer
it to the present one, though he must be careful to contain his regret at the
changes within definite limits: admitting that the magnificence and prosperity
of the metropolis Maurilia, when compared to the old, provincial Maurilia,
cannot compensate for a certain lost grace, which, however, can be appreciated
only now in the old postcards, whereas before, when that provincial Maurilia
was before one's eyes, one saw absolutely nothing graceful and would see it
even less today, if Maurilia had remained unchanged; and that in any case the
metropolis has the added attraction that, through what it has become, one can
look back with nostalgia at what it was."
– Cities & Memory 5, Invisible Cities, Italo Calvino.
– Cities & Memory 5, Invisible Cities, Italo Calvino.
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